AAR EDITION INTERNATIONAL

Creating the overtone spectrum of the sound
in the force-fields
Synthesis of the overtone spectrum of the sound in the musical process
of creating – 7.2.6.12.00

SEMINAR

   7.2.6.12.01
Creating the overtone spectrum of the sound at the transition from the
force-field of our self-awareness to the force-field of our intellect

   7.2.6.12.02
Creating the overtone spectrum of the sound at the transition from the
force-field of our intellect to the force-field of the musical harmony-space

   7.2.6.12.03
Creating the overtone spectrum of the sound at the transition from the
force-field of the musical harmony-space to the force-field of our feeling

   7.2.6.12.04
Creating the overtone spectrum of the sound at the transition from the
force-field of our feeling to the force-field of the musical sequence-space

   7.2.6.12.05
Creating the overtone spectrum of the sound at the transition from the force-field of the musical sequence-space to the force-field of our understanding

   7.2.6.12.06
Creating the overtone spectrum of the sound at the transition from the
force-field of our understanding to the force-field of the musical motif-space

   7.2.6.12.07
Creating the overtone spectrum of the sound at the transition from the
force-field of the musical motif-space to the force-field of our hearing

   7.2.6.12.08
Creating the overtone spectrum of the sound at the transition from the
force-field of our hearing to the force-field of the musical sound-space

   7.2.6.12.09
Creating the overtone spectrum of the sound at the transition from the
force-field of the musical sound-space to the field of our inner voice

   7.2.6.12.10
Creating the overtone spectrum of the sound at the transition from the field
of our inner voice to the force-field of our mind

   7.2.6.12.11
Creating the overtone spectrum of the sound at the transition from the
force-field of our mind to the field of our neurophysiology

   7.2.6.12.12
Creating the overtone spectrum of the sound at the transition from the field
of our neurophysiology to the force-field of the acoustic space

 

© Aar Edition International, 1986

 

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE SYNTHESIS IN THE MUSICAL FIELDS
OF KNOWLEDGE

Seminar Series 7.2.6.01.00 – 7.2.6.13.00

Creation of sound –
vowel & consonant

Creating the
voiced consonant

Creating the
unvoiced consonant

Creating the formants

Creating the vowel

Creating the
overtone mechanics

Creating the decay
of the sound

Creating the attack
of the sound

Creation of the aperiodic vibrations
of the sound

Creation of the
wave sequences
of sound

Creation the periodic vibration of the sound

Creating the overtone spectrum of the sound

Creating the
basic sound