AAR EDITION INTERNATIONAL

Creating the formants in the musical force-fields
Synthesis of the formants in the musical process of creating – 7.2.6.04.00

SEMINAR

   7.2.6.04.01
Creating the formants at the transition from the force-field of our self-awareness to the force-field of our intellect

   7.2.6.04.02
Creating the formants at the transition from the force-field of our intellect
to the force-field of the musical harmony-space

   7.2.6.04.03
Creating the formants at the transition from the force-field of the musical harmony-space to the force-field of our feeling

   7.2.6.04.04
Creating the formants at the transition from the force-field of our feeling
to the force-field of the musical sequence-space

   7.2.6.04.05
Creating the formants at the transition from the force-field of the musical sequence-space to the force-field of our understanding

   7.2.6.04.06
Creating the formants at the transition from the force-field of our understanding to the force-field of the musical motif-space

   7.2.6.04.07
Creating the formants at the transition from the force-field of the musical motif-space to the force-field of our hearing

   7.2.6.04.08
Creating the formants at the transition from the force-field of our hearing
to the force-field of the musical sound-space

   7.2.6.04.09
Creating the formants at the transition from the force-field of the musical sound-space to the field of our inner voice

   7.2.6.04.10
Creating the formants at the transition from the field of our inner voice
to the force-field of our mind

   7.2.6.04.11
Creating the formants at the transition from the force-field of our mind
to the field of our neurophysiology

   7.2.6.04.12
Creating the formants at the transition from the field of our neurophysiology
to the force-field of the acoustic space

 

© Aar Edition International, 1986

 

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE SYNTHESIS IN THE MUSICAL FIELDS
OF KNOWLEDGE

Seminar Series 7.2.6.01.00 – 7.2.6.13.00

Creation of sound –
vowel & consonant

Creating the
voiced consonant

Creating the
unvoiced consonant

Creating the formants

Creating the vowel

Creating the
overtone mechanics

Creating the decay
of the sound

Creating the attack
of the sound

Creation of the aperiodic vibrations
of the sound

Creation of the
wave sequences
of sound

Creation the periodic vibration of the sound

Creating the overtone spectrum of the sound

Creating the
basic sound